![]() Here's every song heard in the new Aladdin. The songwriting duo were brought on to help rework the lyrics to a few of the original tunes, updating them for modern audiences, and they also contribute a brand new song to soundtrack. Menken returns to expand on his Aladdin score for this film and is joined by Benj Pasek and Justin Paul ( La La Land, The Greatest Showman). Related: Aladdin 2019 Cast Compared To The Original AnimationĪladdin (2019) includes all of the animated feature's original songs composed by Alan Menken with lyrics by Howard Ashman and Tim Rice. Not to mention, he's no stranger to singing (or rapping) a tune or two. Smith's Genie may have earned some ire when his digitally-created blue form was revealed in an earlier trailer, but luckily, Smith has more than enough charm and swagger to make the role work. However, again in the tradition of the 1992 animated feature, Aladdin (2019) lands their big name for the Genie, casting bona fide movie star Will Smith in the role. ![]() Unlike their previous remake of an animated musical, Beauty and the Beast (2017), Disney smartly chose to cast relative unknowns Mena Massoud and Naomi Scott in the roles of Aladdin and Jasmine, opting for actors who can sing (and sing well) over more established stars. Aladdin threatens Iago saying he will deal with him later and rushes off on Carpet to save the Sultan. Directed by Guy Ritchie, Aladdin doesn't veer too far from its roots in the 1992 animated feature, but in the few places that it does, it's hard to argue with the changes as they do (for the most part) improve the film. Aladdin, Sultan, Carpet and Iago reach the destination and what seems to be a peaceful and relaxing area, turns out to be a death trap as Sultan is kidnapped by hooded men on magic flying horses (actually all Jafar in disguise, save for Abis Mal). Moments later, Scott knelt on the carpet to give two aspiring princesses some advice.Warning: MILD SPOILERS ahead for Aladdin.Īladdin (2019) is Disney's latest live-action remake of an animated classic, bringing not only a fresh spin to the story but the musical's songs as well. “She does showcase the skills necessary to lead and she cares about her people,” she added, “so for me that’s what I want little girls to take away from it - the idea that you can lead, and you can have love. Scott added, “I kind of want people to come out of the cinema and go, ‘Oh, it makes sense that she leads. “A lot of that character came out of conversations with her, and who she wanted to embody for a new generation of women.” “Quite honestly, she wouldn’t have done the role if it weren’t for that,” said producer Eirich. The producers discussed the change with Scott early on. Jasmine’s trajectory shifts from resisting a forceful marriage to wanting to become sultan. While Jasmine has always been defiant, she breaks gender norms this time “And to honor what Robin did in the past, but bring something new to it - to the performance and the character itself.” 10. “When you have Will Smith in a movie, you want to feature him as much as possible and give as much as you can for his character to go through,” producer Lin explained. Smith’s Genie practices what he preaches and impresses his crush. (Daniel Smith / Disney Enterprises, Inc.) She appears to give in, using powers of seduction to distract Jafar - and even kisses him - to help Aladdin sneak into the room and set her free. In the 1992 film, Jafar takes Jasmine against her will, as he attempts to forcibly make her his wife. Thankfully, we don’t have to watch Scott reduce herself to this original Disney scene. That cringe-worthy moment when Jasmine becomes a sexual slave was cut RELATED: Arab Caricatures Deface Disney’s ‘Aladdin’ » 3. ![]() ![]() It’s a different time,” said music producer Matthew Rush Sullivan of hearing the 1992 song. “As soon as you read them, you just know it’s a new time. It doubles in length, with new lyrics that make the description of the Arabian city more positive. The song was updated again for the live-action movie. Those lyrics were changed in 1993, a year after the theatrical release, once the studio obtained approval from the estate of late lyricist Howard Ashman and his collaborator Alan Menken. The verse that was slammed as racist was, “Oh, I come from a land / From a faraway place / Where the caravan camels roam / Where they cut off your ear / If they don’t like your face / It’s barbaric, but hey, it’s home.” The original ‘Arabian Nights’ lyrics that sparked controversy have been nixed ![]()
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